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RiGiralArte

caruso

RiGiraLArte 2004 e 2005

Share of Urban Art, flash, an event that lasts only one day but who wants to mark the urban space indelibly, with works that relate synergy between different artistic languages ​​and varied expressions of daily subway.

City Art transforms Milan in a “open yard” creativity with installations created in “Site Specific”, involving roads, parks, squares, architectures, artists, citizens, cyclists and all those interested in reaching milestones on two wheels but paradoxically real visionary city.

Installations located in symbolic places of the city conceptually redesign the physical territory and flexible at the same instant in which the public space becomes a stage of works that interact between the artist and the viewer.

RiGiraLArte, suggests alternative routes to traverse the metropolis, from the center to the edge of a city plan, increasingly chaotic and disruptive. In this adventure is accompanied by Ciclobby Fiab and Legambiente who live intensely and cities are in the front row for a civic and cultural education and environmental.

 

Let's have fun finding new meanings, matches, analogy, associations, values ​​and emotions of our city, living it like a circus imagination.
Come? Milan along on two wheels to "embody" the physical movement, capturing the soul and vitalism quivering that transfigures the physical space in an open field to the communicative potential and emotional. The city is the site of the unpredictable, constantly accelerating that has lost the unity of the geographical location, riconquistabile looking "other" places horizons and boundaries are more extensive than in the physical evasion that art allows.
The city is denied when it is told, then withn viewing a new flexible space perceptible through works, performance, installations scattered along a physical and imaginary together we'll find along the way, turn of the pedals.
The city is the site of the exchange, opportunities, communication and even abstractions: public space is characterized by the flow of life that art is through metaphors, symbols, paradoxes, provocations and synecdoche. We taste, the game, the fun of disturbing stereotypes and anachronistic stereotypes in simulated planets.
RIGIRALARTE transforms Milan on a building site "open" to creativity, involving areas, roads, parks, squares, metropolitan, railways, tranvie, architectures, artists, citizens, cyclists hobby, and all those interested in reaching milestones on two wheels real and paradoxically "improbable", visionary if crystallized from installations created in site.
So the clichés become abnormal if "mapped" with artwork, transformed into signals that disrupt their perception of public space, soliciting thoughts and curiosity on its potential experiential.
Installations located in the symbolic places of the city conceptually redesign the physical territory and flexible at the same instant in which the public space becomes a stage of works that interact with the artist and the viewer, turning the area into a kaleidoscope of experiences, you taste to discover what.
We know that freedom to move your bike is the perfect tool, silent, ecological and brave, who assumed era web look emblematic and fascinating. For the Futurists the bicycle is the instrument and symbol of the action, energy, industrial era, Duchamp then jumping into the void, the wheel placed above the kitchen stool becomes white banner of conceptual: ready–made del movimento. Indeed it is the first common object presented as a subject "art" because it decided the artist.
Rigiralarte with the city itself as an ideal wheel, cartografando imaginary maps.
The bicycle is synonymous with speed and variability, perception of space-time , is the right tool to capture "real" flows and metamorphosis of a living organism and Social, defined city. The event of Urban art in Milan, dell'hyperarchitettura age is a sign of interrelation between the need to redevelop the city and dream to envisage new scenarios metaurbani where fiction and reality and syncretism between different artistic expressions coexist with urban development, social and technological evolution of information on the wave.
So fantasize with open eyes, focusing his gaze on installations fun, dadaiste and situazioniste, deliberately ironic that alter the physical spaces, perhaps displaying thoughts and forms of the city that we would. (Jacqueline Ceresoli)

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